Interdisciplinary Artist | Former Medical Doctor | Keynote Speaker
Art, AI & Emerging Technologies in the Context of Wellness
The Human Body, Data & Embodiment for Wellness
Known for developing the concept of the Biometric Sublime – an applied neuroaesthetic framework that translates biometric data into immersive sensory environments .

Biography
Bojana Ginn is an award-winning interdisciplinary artist, former Medical Doctor and scientist, curator, writer, and public speaker. Drawing from art, science, technology, spirituality, and sustainability, she creates multimedia installations, sculptures, and photography that integrate recyclable and natural materials such as wool, cotton, and jute. Her practice bridges the technological and the elemental, pairing biometrics and digital systems with tactile, renewable fibers to create immersive environments rooted in embodied experience.
Her abstract work explores the body and landscape in an era defined by digital and biotechnologies, the recognition of healthcare as a human right, ecological awareness, and the contemplation of the technological sublime.
Recipient of the prestigious Ellsworth Kelly Award granted by the Foundation for Contemporary Art in New York, Ginn exhibits in Atlanta, nationally, and internationally. Her work has been presented at the Venice Architectural Biennale, Museum of Arts and Design in New York, IMMENSIVA Art and Technology in Barcelona, Museum of Contemporary Art of Georgia, David J. Sencer CDC Museum, Georgia Cyber Center, and Telfair Museums, among others.
Nominated for the World Technology Award in Art and a fellow of the World Technology Network, Ginn has curated SciArt content and written an Art & Science column for BURNAWAY. She has delivered keynote speeches for BEINGS — International Conference on Ethics in Bioengineering — and for International Art and Mathematics Conferences in Atlanta and Baltimore.
She frequently collaborates with scientific institutions in Atlanta, including the Georgia Institute of Technology (Department of Astrophysics, NASA-related research) and Emory University.

Art Statement
I am an interdisciplinary artist and former medical doctor whose work operates at the intersection of art, science, sustainability, and emerging technologies. Grounded in a deep understanding of the human body, my practice investigates how technological systems shape contemporary experiences of wellness, perception, and embodiment.
I create immersive, often interactive environments and large-scale sculptural installations that translate biometric data, psychological states, and scientific research into sensory experiences. These works frequently combine AI-driven systems and projection technologies with organic sheep’s wool, cotton, jute, and recyclable engineered materials, positioning sustainability not as an aesthetic choice but as an ethical framework. The tactile, breathable, renewable fibers counterbalance digital immateriality, restoring physical presence and ecological awareness.
Photography and painting function as parallel research streams within this broader spatial practice.
Through sustained dialogue with academia and cross-disciplinary collaboration, I position art as a site where scientific inquiry, environmental responsibility, and human experience converge — expanding how we understand well-being in a technologically mediated world.
