My work explores interactions between body, nature and technology. Contemporary existence in the age of digital and biotech. I build ephemeral, site-specific installations, using ancient bio-material, digital video projections, and LEDs. The bio-material is sheep’s wool, chemically keratin, the same protein residing in our skin and hair. The fibers are stretched, exposed to digital and LED sources. Forms are mathematical and computer generated: Voronoi cells and exaggerated pixels. I see my works as microscopic places being magnified, both tactile and virtual. Reflective and speculative, they are playgrounds for questions about the now and future of body and environment, transhumanism, and biotechnology.