In Ginn’s photographic practice, the human body and digital technology intertwine to generate new dimensions of perception. Her gestural, motion-driven images of luminous, biologically inspired sculptures transform light into data, rendering rhythms and patterns that slip beyond the threshold of the human eye. The camera, wielded as a brush, extends the lineage of gestural painting into the digital, translating fleeting rhythms and invisible forces into a visual language of resonance. What emerges is not merely an image, but an encounter with the ephemeral, an aesthetic translation of the unseen. Ginn invites viewers into environments where nature and technology converge, revealing immaterial forces that pulse beneath the visible and shape the contours of our shared reality.


















